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Africans brought to the South soon learned European culture.The south was also home to most of the slowly maturing black American music; it spawned most of the unique forms of American folk music, such as blues or gospel.Churchgoers sang ballads of British and Spanish origin entertained folks. Religious and public ceremonies were often called for music making.
American popular music from the 1930's reflects the cultural and social characteristics that shaped the American identity during the period.
The music of the thirties is important when trying to understand the American people during a time of new technology, a massive growing in the population of cities, and a large scale depression.
This seemed to welcome recorded music as a statement of their cultural experiences and old identities.
Historian William Kenney concluded, "...whether consciously or not, almost all citizens foun...
Over the course of the thirties, American taste in music changed dramatically.
In the mainstream it moved from the bland and unchallenging "sweet" sound of Guy Lombardo and the Jazz Age dance bands to the more rhythmically involved horn arrangements of the Swing Era such as Benny Goodman and Tommy Dorsey.
African music became integrated into our musical fabric quickly.
The acculturation in the West Indies took much longer.
The Europeans contributed fiddles and pianos, while Africans brought the knowledge of making and performing upon beanlike instruments with them.
By the 19th century, these three instruments were played by black and white Americans, but often in different ways.