Watching a play can bring out raw emotions, emotions that are not present in everyday life.
The plague brings out chaos, confusion and turmoil; as do emotions when not experienced frequently.
Writing The Stage Essay The French, poet, actor and theorist, Antonin Artaud is recognised as one of the most radical influences on theatre in the 20th century.
It instead would become a sort of communion between the audience and the actor and make theatre a live experience.
When we are witness to the theatre we feel an overwhelming wave of something that we cannot control, just as a plague passes through us like a gigantic liquidation.
Everyone who watches a play forgets their troubles and problems.It rediscovers the idea of figures and archetypal symbols which act like sudden silences, fermata, heart stops, adrenalin calls, incendiary images surging into our abruptly woken minds.For theatre can only happen the moment the inconceivable really begins, where poetry taking place on stage, nourishes and superheats created symbols.Genius or madman, everything about Artaud is fascinating – his extraordinary life, his passions, his wide-ranging interests, the brilliance and originality that he brought to his plays, his productions and his other writings.Artaud died in 1948 at the age of fifty-two, but accomplished a revolution in his short life that is still bearing fruit today.It is an escape from everything and everyone in the theatre experiences the same feels, emotions and thoughts; something they cant manipulate or regulate.There is the sense that something important and life changing is about to happen.This compact, carefully researched study is an invaluable guide, combining readability with a sympathetic and authoritative study of its subject.Martin Esslin was born in 1918 and educated at Vienna.Founder of the Theatre of Cruelty and a strong influence on Peter Brook, Antonin Artaud dedicated his life and sanity to purging the contemporary French theatre of its bourgeois tendencies. The influence of Antonin Artaud on the contemporary theatre has only become evident since the early Sixties, although writers and directors have been directly or indirectly influenced by his thinking and innovations for many years.