Art Appreciation Descriptive Essay

Art Appreciation Descriptive Essay-57
Michelangelo, an Italian sculptor, painter, architect and poet, was one of the founders of the High Renaissance and in his later years one of the principal exponents of Mannerism.Born at Caprese, the son of the local magistrate, his family returned to Florence soon after his birth.This tradition of the church was established by Michelangelo, showing how the influence of Italian art made its way to the northern part of the country. The style of the painting compared to Michelangelo’s is similar due to the fact that Antoine was also a Mannerist.

Michelangelo, an Italian sculptor, painter, architect and poet, was one of the founders of the High Renaissance and in his later years one of the principal exponents of Mannerism.Born at Caprese, the son of the local magistrate, his family returned to Florence soon after his birth.This tradition of the church was established by Michelangelo, showing how the influence of Italian art made its way to the northern part of the country. The style of the painting compared to Michelangelo’s is similar due to the fact that Antoine was also a Mannerist.

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The traditional view is that the Renaissance of the 15th century in Italy, spreading through the rest of Europe, represented a reconnection of the west with classical antiquity, the absorption of knowledge of experimentalism, the focus on the importance humanism, an explosion of the dissemination of knowledge brought on by printing and the creation of new techniques in art, poetry and architecture which led to a radical change in the style and substance of the arts and letters.

Michelangelo was able to make the figures appear real because of his knowledge of autonomy and how the human body looks from the inside out.

(fig 1) Both artists’ paintings were commissioned during the same time period where humanism was of concern.

From the northern part of Europe, an artist by the name of Antoine Caron painted his version of the Last Judgment, with oil on panel, displayed at the Ringling Museum of Art (15th century).

Each of these paintings are examples of the growth of artistic expression in Europe during the 15th century.

In the Last Judgment (Ringling Museum of Art ,15th century), he uses elongated figures, in twisted postures and with small heads and tapering arms and legs, frequently inhabit vast spaces.

Caron’s exaggerated perspective, in which the forms seem to disappear into space and his unnaturalistic use of color are also part of the Mannerist style. His figures are grotesquely huge and violently twisted, with small heads and contorted features.

This period, in this view, represents Europe emerging from a long period as a backwater, and the rise of commerce and exploration.

The Italian Renaissance is often labeled as the beginning of the “modern” era.

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