In Arthur Miller’s “The Crucible”, stage direction is used to demonstrate belonging and not belonging.This technique is used throughout the text to show both belonging and not belonging, stage direction shows the audience, what the characters are doing, such as their movements and emotions about what has happened.
In Arthur Miller’s “The Crucible”, stage direction is used to demonstrate belonging and not belonging.This technique is used throughout the text to show both belonging and not belonging, stage direction shows the audience, what the characters are doing, such as their movements and emotions about what has happened.The imagery creates the connection that Josie feels to other people besides John Barton and begins to create relationships with other people. Irony: In the novel, Nonna has a disapproving attitude towards her daughter due to Josie being born out of wedlock.Tags: Creative Writing MoviesCollected Essay Of Herman MelvilleThesis Shalini SinghSay Yes To Good Attitude EssayCompassion Definition EssayGender Differences In Crime EssaysHarrison Bergeron Research Paper ThesisPacemaker Term PaperWriting And Argumentative Essay
An example of when it is demonstrating not belonging is in the first scene of Act one when Tituba is about to talk, in parentheses it says that she is already moving backward, like she already knows she isn’t wanted.
Another example of how stage direction is used is when Abigail and John are alone together, in Betty’s room.
However, the stereotypical characterisation in Looking for Alibrandi remains intact.
This shows the conflicting of interests in religious communities and, how one mistake will have an impact on the entirety of the community.
Brief synopsis of text: Looking for Alibrandi focuses on one girl and the shame her family’s indiscretions have brought on them.
Throughout h HSC year, her father returns, she falls in love, loses a friend and discovers the truth of her identity.List four textual features that convey the concept of Belonging (techniques): 1.Humour: Humour is used in Looking for Alibrandi to convey Josie’s cultural connections to food such as pizza and pasta, as shown when Josie is having a conversation with her father who asks if she likes pizza to which she replies, “What a ridiculous question.This suggest a desire for the characters to believe in what they say and forget about how they act, wanting to be accepted for who they’ve become.Some people will go to extraordinary lengths to achieve a sense of belonging; whether it to be a group, culture or city, some people will try anything.John’s death has had a huge impact on Josie as she begins to feel like she has no friends and thus isolated from people.She also experiences anger that he would kill himself instead of going to her for help.This sets the foundation for the father-daughter relationship to develop. Characterisation: In the novel the characters personalities are reflected through the use of stereotypes. Nonna is a stereotypical Italian grandmother, who strongly clings to her cultural heritage to the extent where all her furniture is Italian. He is part of a gang, gets into trouble often and rides a motorcycle.The stereotyping of Nonna shows her strong connection to her Italian heritage whereas the characterisation of Jacob demonstrates his lack of connection to his Australian background. Imagery: Imagery is used in Looking for Alibrandi after Josie’s friend John Barton commits suicide, where she starts to have hallucinations of seeing him, particularly at Central Station which was their meeting place.This is indicted in Act One where Reverend Hale states that Rebecca Nurse looks, “as such a good soul should”, however, in Act Four, hangs her for the crime of witchcraft.Similarly, the situation with Nonna and Christina, Josie’s mother, is also ironic.