The hearts of the children were still pure—this thing we see, what is it? opened the Holy Ark and searched in the assembled crowd for those who would be honored by standing to the right and left of the chazzan.
The chazzan instructed that the windows be closed, so he wouldn’t be struck with a chill, and he began reciting Kol Nidre—“ …
Gottlieb used the technique of impasto (wide, three-dimensional brushstrokes), and physically created patterns from the paint.
This contributes to the painting's richness and depth.
In the painting, many of the figures are people that are close to Gottlieb or people he knew at the time.
Problem Solving With Percentages - Essay On Yom Kipper
As said by the Tel Aviv Museum of Art, Maurycy Gottlieb created this work of art at the young age of 22 years old; a year later, Gottlieb would pass away.Maurycy Gottlieb, ”Jews Praying in the Synagogue on Yom Kippur.” Tel Aviv Museum of Art, accessed January 31, 2017, “Painting a People: Maurycy Gottlieb and Jewish Art.” Slavic Review 2004. The Art and Artists of the Fifth Zionist Congress, 1901: Heralds of a New Age. Hanover: University Press of New England [for] Brandeis University Press, 2002. "Jews Praying in the Synagogue on Yom Kippur by Maurycy Gottlieb."Accessed January 31, 2017, At that hour I had not prepared myself for Yom Kippur; rather, on the afternoon before Yom Kippur, towards evening, I went to the synagogue in my neighborhood, unlike every other year when I was accustomed to pray in the city.Living under this regime in a time of deep antisemitic discrimination and political instability may have had a major impact on Gottlieb's work.However, the painting may also evoke the anguish Gottlieb experienced in his personal life. Most of the 20 figures depicted here represent people close to the artist.There are many characteristics that create a somber tone within this painting.Certainly this aspect of the occasion would contribute to the sobriety of its depiction.The somber character of the painting may also reflect the time in which it was painted.On the extreme right is a young male figure, perhaps again Maurycy, reading from the prayer book alongside a man who might well be his father.Malinowski assumes that this is the case when he says that the painting presents ‘an account of [the artist's] whole life’.” It has been suggested that the artist placed his fiancée Laura among the female worshippers, at the right of the column whispering to another woman (perhaps her mother), and to the left of the column, holding a prayerbook in hand.