The Theater Essays Of Arthur Miller

The Theater Essays Of Arthur Miller-45
I’m still disappointed that the trophy on my mantelpiece marks my victory at the age of 12 in “the -yard dash,” so frustratingly short of the gold standard for all would-be sprinters.But of course it’s the larger human dimension of the number 100 that so fascinates us.

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Thus the possibility of arriving at 100 becomes the next personal frontier.

Winnie Blagden was a Yorkshire widow without children and living alone.

Even in the West, as we all know, never mind that Japanese island where centenarians sound like the norm, the prospect of reaching 100 becomes more realistic every year, even if its attractiveness is qualified by anxiety about its possible accompaniments.

I’m told that, when Harry Truman turned 70 in May of 1954, he declared, “from now on, every day is a blessing.” Some might wish to say that of every day from birth; but we’re probably all willing in 2016 to upgrade Truman’s figure to 80, or even 90.

We are fortunate that Miller wasn’t deterred by the failure of his first Broadway attempt, because between 1947 and ’55 he produced the four plays for which he’s best known today: in 1955 that became the more familiar two-acter the following year.

The Theater Essays Of Arthur Miller Social Stratification Essay

If Miller had never written another piece of theater, his reputation as one of the country’s premier dramatists of any period would have been assured to this day.

Meanwhile, of course, Miller had become a very public figure outside the theater, and not just because of his 1956 marriage to Marilyn Monroe.

(Real domestic happiness for him seems to have begun only in 1962, after his divorce from Monroe and his marriage to the Austrian photographer Ingeborg Morath, who bore him two children, one of them the film director Rebecca Miller, now married to Daniel Day-Lewis.

Arthur was evidently delighted to write for his son-in-law the screenplay of alone was a political statement for anyone with ears to hear the Mc Carthy witch-hunt allusion.

Already under federal scrutiny, the playwright was hauled before the House Un-American Activities Committee, to which he refused to name names.


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